Definitely one of the better sounding Brazilian shows from this 1997 tour. Personal highlights include Public Witness Program, Suggestion and Promises. It is unfortunate Repeater is cut short since the version of Sweet and Low featured here provides the perfect prelude. Also, I suggest you listen closely as the performance of Arpeggiator features only Brendan on percussion and differs significantly from later (post 1998) versions where Jerry Busher usually stepped in to provide some additional percussion during this song as well as during for instance Burning, which worked tremendously well and which I think made these songs more powerful.
3 Additional Photos & flyers
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Fugazi Live Series FLS0842 Fugazi Belo Horizonte Brazil 8/16/1997
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- Show Date
- 1997-08-16
- Venue
- Trash
- Played with
- Heffer
- Recorded by
- Nick Pellicciotto
- Mastered by
- Warren Russell-Smith
- Original Source
- DAT
- Sound Quality
- Poor Good Very Good Excellent
Tracks
- Birthday Pony
- Public Witness Program
- Great Cop
- Do You Like Me
- Interlude 1
- Reclamation
- Walken's Syndrome
- Long Division
- Target
- Bed for the Scraping
- Bulldog Front
- Suggestion
- Give Me the Cure
- Waiting Room
- By You
- No Surprise
- Break
- Blueprint
- Merchandise
- Cassavetes
- Promises
- Rend It
- Facet Squared
- FD
- Arpeggiator
- Stacks
- Forensic Scene
- Sweet and Low
- Repeater
Please Note: Available recordings have been mastered to correct for volume shifts, drop outs, etc. but some sonic anomalies will still exist, especially early in the set when the mix is being settled. The band has rated each show for sound quality and set the general price of a download at $5 per show. If you have a different price in mind feel free to use the alternative pricing option.
Comments
Definitely one of the better sounding Brazilian shows from this 1997 tour. Personal highlights include Public Witness Program, Suggestion and Promises. It is unfortunate Repeater is cut short since the version of Sweet and Low featured here provides the perfect prelude. Also, I suggest you listen closely as the performance of Arpeggiator features only Brendan on percussion and differs significantly from later (post 1998) versions where Jerry Busher usually stepped in to provide some additional percussion during this song as well as during for instance Burning, which worked tremendously well and which I think made these songs more powerful.
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